Ethnotheatre 

Stories Across Cultures, Told Through Performance.

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My ethnotheatre practice explores how performance can document cultural expression, interrogate social structures, and create dialogue across cultures.

“To Be Heard” is a cultural documentary developed through my work in Xinjiang, exploring Uyghur dance as an expression of cultural identity and everyday life.

“The Cycle of the System” is an original theatrical production I founded, wrote, directed, and performed in as part of Crossroads to Bali, integrating Balinese performance traditions into an exploration of academic pressure and the systems that define success.

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Through documentary filmmaking and devised theatre, these projects examine how culture is lived, represented, and reinterpreted—positioning performance as both a means of cultural inquiry and a space for cross-cultural exchange.